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So right now, you’re going to hear my vocal in solo, and then I’m going to switch, and I’m going to unmute my Butch lead, and we’re going to hear the difference between the two. I’m going to bypass those effects, and I’m going to solo my vocal processing. A little chorus, a little UAD mono-dimension D, and then I’ve got some delay. The sends here, I’m going to actually bypass those for a quick second, and they’re the same sends from down here. Then I’ve got nothing but his plug-in on this track. So, there’s my quick mix of it, and then what I’ve got up here is the Butch lead, I’ve called it for Butch Vig. I’ve got the VMR EQ, multi-band, all kinds of stuff happening here, and I’m going to show you what that sounds like.
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More of that to come, but right now, we’re going to hit play, and take a listen to how I’ve got the vocal mix, and this is going through my chain.
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Give him a link in the description below. The artist is Nolan Garrett, so I want to give a shoutout to him. If you want to get your hands on this, go check out, and you get the multi-tracks and all of my tutorials behind making this one. First things first, I’ve got a song called “I Don’t Know,” which we’re featuring at right now. If you’re interested in that, stay tuned.
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Then I’ll show you with nothing but the Waves Butch Vig vocals plug-in, and let you hear for yourself the comparison, and then we’re going to go even further in depth into a part two, where I’m going to break down the different modules and show you stock plug-ins and free plug-ins that you can use to accomplish similar techniques so that you can really break down and understand what’s going on, before you go to just pulling up presets and doing your thing.
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So I think I will be finding myself using this, but more important than getting a plug-in like these and the Waves signature series is to understand it and break down the different modules and know what you’re doing and why you’re doing it, so I figured a tutorial would be a good idea to kind of break the plug-in down and show you a comparison of my plug-in chain that’s been adapted from the Dave Pensado method. I pulled it open just about 5 minutes before going live with this video, and was putting it through it paces to try and get familiar with it, and I really like it. Today, I’m coming at you with a video to talk about vocals, and even more specific, Waves has introduced the Butch Vig vocals plug-in, and I jumped all over it and took advantage of the discount introduced at $99 instead of $150. Jimmy Schwenk - Lead and Backing Vocals, Guitars, Bass, Drums, Percussion, Keyboards, MandolinĬo-Produced by Page Davis and Bee SandersĮxec.Hey, what’s up, guys? David Glenn of and. Easily the most impressive self-produced CD (ditto for the packaging) that's come across the desk this year.īee Sanders - Lead and Backing Vocals, Guitar, Percussion, Keyboards It might take you some time before you can understand Misunderstood, but it's certainly a fun jigsaw to figure out. That he's good enough to fool most listeners is still high praise, indeed. But since the Farrell bit appears again several times more throughout the CD, the mimicry is less an homage than it is a hard habit to curb. Guitarist Bee Sanders' dead-on Perry Farrell impersonation is another real hoot, and "Strange" is as hooky as Jane's Addiction's best-loved material. The most hilarious moments belong to Page Davis, who makes insightful observations about "Teenage Plastic Surgery" (Her big nose bothers her like a disease/She wants nostrils like a Pekingese") and what it's like to be a "Has Been." Who can resist this tender tale of a washed-up, fortysomething musician who assures his 18-year-old trollop that he's several years younger than Keith, but many, many years younger than Mick? Exceptionally well.Įach of the band's three singer-songwriters exhibits a healthy balance of wit and humour. A&R people hate it when groups hop musical genres as often as Tao does on its Misunderstood CD, but the good news is that the band pulls off everything it sets out to do. Tempe's Tao Overstreet chooses the less-traveled road by taking on several different styles-metal, rap, tribal punk-all at once. Most local bands' idea of "dedication" is finding one group to emulate and then copy it up the wazoo. This is a CD rip.įrom Peter Gilstrap and Serene Dominic's Tapes In the Mail from the August 1994 New Times:
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They later went on to become Idols Of Perversity. From Tempe, Arizona, Tao Overstreet was wildly across the map in musical style.